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28-Jan-2020 21:14

And there is, undoubtedly, a flipside that lives in an alternate movie universe, and it's called The Shagger, and features the exact same characters, plot and location, but is shot mostly in daylight, with KT Tunstall playing on the soundtrack, and starring Ben Stiller. It pitches Fassbender's anti-hero, Brandon, through a series of contemporary sexual scenarios – from the benign (internet porn) to the slightly, well, eccentric (fetishistic gay bar followed by a threesome with prostitutes) – and watches him crumble to nothing when faced with the seemingly simplest of sexual tasks, namely, to experience a physical encounter with a woman he likes, and indeed might love. (the film was given the dreaded NC-17 rating, which it didn't challenge and instead celebrated) that star Fassbender was perceived at the time (and possibly still is) as something of a man about town.An absence of long-term relationships in his past, plus a string of ex-girlfriends, plus a legal barring order from one of them (actress Sunawin Andrews), all pointed surely towards Brandon-esque tendencies in this white hot star?No, the film, written and directed by Zalman King, demands our attention because it is the literal, and chronological, highpoint of Eighties Hollywood erotica. For with its lurid Latin setting (Wheeler is in Buenos Aires to buy a hotel, as you do), rampantly fornicating locals and the suggestion that, if you opened the window of your limousine you were likely to get hit by flying spunk, it had the edge on the competition. Looks are exchanged, picnics are arranged, kisses are traded and then everything grinds to a halt at approximately one hour and 11 minutes into the movie, when director Kechiche and his two lead actresses deliver the type of jaw-to-the-floor sex scene that has subsequently raised the movie-sex bar to insane heights of verisimilitude and has pushed the literal definition of "simulated" to breaking point. Le Chiffre (Mads Mikkelsen), a terrorist financier desperate to recover his cash, repeatedly thwacks Bond's bollocks with a pendulous rope while gurgling sweet nothings, "Wow! Literally (the uncut centrepiece sex scene includes an extreme act of scatological humour).Best of all, it boasts a closing sex scene (Wheeler and Emily in lotus, shot mostly from above, sparing no blushes) so protracted and explicit it troubled the censors (the film was originally rated X). " In 2011, Otis finally addressed the issue, "Have you ever filmed a sex scene? For here, over seven long breathy, sweaty, brightly-lit minutes, we run the unapologetic gamut of licking, sucking, squeezing, fingering, rimming, ramming, slamming, and general slithery, grindy, intercrural mayhem. And you always knew that a sex scene was going to be special if it began with the lines, "The gorillas beat him to death before the zookeepers could gas them all.

He likes helicopters, cars, motorbikes, boardroom takeovers and having complete erotic control over submissive women. They express everything that has been repressed for years." Of course, we all totally got that. Perhaps typically, or not, Dafoe had much to defend in the film. He was disappointed with the marketing hype that revolved around Madonna's nudity. Everyone who's ever said something really fucking stupid while they were fucking and then burst out laughing afterwards knows this. Sharon Stone and Billy Baldwin, ramming themselves repeatedly and energetically against a concrete pillar in Sliver is one of them (they're physiologically nowhere near coitus – unless his penis is penetrating her, through her black dress, somewhere above the fifth lumbar vertebrae).However, he is convinced that he can persuade her parents that he is worthy of their daughter.In a country where the caste system still persists, and it is often seen as a matter of "honour", how will this young couple fare?a man is giving a pretty woman a lift in his car along a deserted road said to be haunted.

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A psychological power struggle ensues between the two of them because both like to play pranks.

There he falls in love with Swapna [Parvati Melton], but suddenly she leaves to India.



The rest are kicking ass too because there are so many things that need to fall in place to make the whole thing work.… continue reading »


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