Dating ethiopian girls america
At best, it’s a misguided reinscription of the white standard of beauty through acceptably black women. Usually, it’s a combination of all these things but if representing, hyping and esteeming women with acceptable blackness is good for all girls—Trickle Down Acceptability, if you will— then we’d probably live in a post-racial world where fairies and dragons and Tupac populated the earth.
Supermodel Liya Kebede Sadly, we live in a racist, sexist world where black men and white people can hurt black women in the same ways.
Reinscribing white beauty through black beauty has always been with us, but in recent years it has inspired rappers to reference East African Girls like we’re the 49th Law of Power, predictably denigrating black women who lack acceptable blackness in the same tired ways.
The first rapper I remember rhyming about East African Girls was Nas.
A couple years ago, one of my friends told me that being an East African meant I’m not really black.
A visibly mixed-race girl with a “high yellow” complexion and sandy brown hair telling me I’m not black didn’t sit well with me.
It would seem that the primary distinction between black (North American) men, East African men and white men exoticizing East African Girls is that for many white men and even some East African men, the exoticism is firmly rooted in a belief in the racial categories—a belief that race is biological when it is in fact social, and a fetishization and romanticism of our Arab World ties and colonial past.
A pleasure teenage me would no doubt indulge in, too.
This little mistake triggers a big mistake: the conflation of biology and genetics with race and ethnicity as a social fact, which reifies the racial categories.
One of the most popular threads on Niketalk.com, a sneakerhead forum, is called, “African Women Appreciation Thread: ‘Young East African Girl/Thoroughbreds.” A commenter in the forum who goes by Macc E-Money claims he was deprived of “beautiful African women,” and wasn’t able to procure a Somali “thoroughbred” until he left his home state of Michigan.
In “The Set Up,” a song from Nas’ “It Was Written” album, Nas raps, “They thought the hoes were Somalian.” The “hoes” in question are “two fly bitches, Venus and Vicious.” On his latest album, “Life Is Good,” Nas references East African Girls again, in a party song called “Summer” ft. East African Girls have been referenced in several other songs: Wale’s “No One Be Like You” (“Somalian women, Ethiopian queens/Never could tell the difference, I just know that you mean”) and “Hold Yuh Remix” (“I’m lookin’ for an Ethi-Somali here beside me”); Tinie Tempeh’s remix of Drake’s “The Motto” (“My bitch booty bigger than a fucking Eritrean”); Common’s “Celebrate” (“Exotic broads lobbyin’/Spanish, Somalian”); Drake’s “Where To Now” and Kendrick Lamar’s “Poetic Justice” ft. In “Where To Now,” a track off Homecoming Season, Drake’s second mixtape, Drake spits sweet nothings about an East African Girl, over a J. Drake desires the East African Girl (perhaps as much as he desires getting ghost head from Aaliyah): “Ethiopian girl, Ethiopian girl, with yo long curly hair and yo big ass bootay.” In “Poetic Justice” by Kendrick Lamar ft.
Drake, Drake does it again: “I was trying to put you on game, put you on a plane/Take you and your mama to the motherland/I could do it, maybe one day/When you figure out you’re gonna need someone/When you figure out it’s all right here in the city/And you don’t run from where we come from.” But couched between another lazy description of a faceless, nameless East African Girl, and Drake’s assertion that that East African Girl is busy ignoring him for another man, is a story of afrodiasporic identity, which is what sets Drake apart, narratively, from other rappers.It’s a reiteration of our own myth that when God created humanity, he started with the Somalis, Ethiopians and Eritreans first— borne out of us is whiteness and blackness.